How did you achieve such a great atmosphere of this audio material, at the same time not compromising its quality?
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: The very distinct sound of 1930’s was derived from the technological restrictions back then. Our engineer Jeremy Darby deserves special recognition for the tireless work and many, many long days he put in getting such a fantastic balance between vintage sound and modern clarity. The vast majority of time was spent perfecting the mixes, as some of the big band tracks have 5-6 different versions (same tune but with different solos), so in the end there were close to 300 tracks that required mixing. We budgeted approximately 1 hour per tune just to be safe, and fortunately we came in under that estimate. Kris Maddigan: For the big band sessions I believe we had 5 days in the studio, split into 2 different sessions, and the ragtime band had maybe a day to a day and a half. How did you approach the recordings themselves? The music of Cuphead would be sufficient for three games. : It is a challenge to record a very long soundtrack. Himself has to say about it and perhaps you will find out reasons We are encouraging you to check out what composer Maddigan stood as a leader of the team which prepared this unusual and It is real audio visual feast – namely Cuphead. Other option than to contact the composer and ask about details of this Soundtrack that really reverberated within the community. We want to properly step into 2018 and we are preparing dozens of newĪrticles and interviews for you.
CUPHEAD SOUNDTRACK PROFESSIONAL
Other than the music being extremely fast and generally quite quirky, they brought the same professional attitudes and impeccable musicianship that they bring to all of the projects they are involved with. Kris Maddigan: Since the music for Cuphead was recorded in essentially the same manner that it would have been recorded for a regular big band album, there was little difference in the approach of the incredible musicians involved. : What kinds of reactions did you see among the musicians when they found out that this music will be recorded for a video game? Our engineer Jeremy Darby deserves special recognition for the tireless work and many, many long days. Both require experience and a deep knowledge of the task at hand. Kris Maddigan: There is absolutely a correlation between the improvisatory nature of the music and the quick thinking required to deal with the randomness inherent in certain elements of the game. Do you think that it somehow reflects in the gameplay of Cuphead? : It is often said that jazz is all about improvisation. In addition to Ellington, the music of Cab Calloway, Benny Goodman, Scott Joplin, Fletcher Henderson, Cliff Jackson, Gene Krupa, Jimmie Lunceford, Chick Webb, and many others were very important in their inspiration on this music. Kris Maddigan: For me Duke Ellington is one of the most interesting and ambitious composers of all time, not just the 20th century, so it made sense that he would be a big inspiration on the Cuphead soundtrack. What brought you to this inspiration? What other inspirations were most important for you? : In the music you paid homage to Duke Ellington. We felt that the style was accessible enough that there would not be much chance that the audience would not appreciate it.
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Kris Maddigan: The developers had a very clear idea from early on that they wanted to use a 30’s era big band vibe for the soundtrack. Were you not scared that most of the target audience will not appreciate it? : The music of Cuphead is really ambitious. We are encouraging you to check out what composer himself has to say about it and perhaps you will find out reasons behind unquestioned quality of this OST.
CUPHEAD SOUNDTRACK 320 KBPS
Each song is played by live musicians, including a 13-piece big band, 10-piece ragtime ensemble, a solo pianist, a vocalist, a tap dancer, and a few surprises.Īvailable in FLAC and MP3 320 kbps formats, the Cuphead OST became available for download on September 29, 2017.Kris Maddigan stood as a leader of the team which prepared this unusual and great jazz soundtrack. Composed by Kristofer Maddigan, the Cuphead OST features nearly 3 hours of original jazz, early big band, and ragtime music.